Meldung vom:
Evoking the Incommensurable – Painting the Sublime
(Friedrich Schiller University Jena, 26-28 July 2023)
In the 18th century, the concept of the sublime constitutes a genuine novelty and a driving force for advancements in the theoretical reflection on the arts throughout Europe. Edmund Burke and Immanuel Kant distinguished the sublime sharply from the beautiful, i.e., the traditional organizing subject of treatises on painting and literature, and emphasized its excessive strain on the senses, its incommensurability with any measure, and its irreducibility to any bounded shape. It thus constituted a harsh contrast to the beautiful and challenged the aesthetic values of pictorial or literary representation.
Moreover, the sublime was also a challenge to artistic practice. Theoretical discourse concerning the sublime often referred much more directly to our experience of nature than to our experience of artistic works. Particularly in the case of Kant, it was not evident that the arts are at all able to evoke anything sublime. Nevertheless, various attempts to paint the sublime can be seen in the genre of landscape painting. The sublime stimulated painters to push the limits of painting and to explore its capabilities anew.
The international conference “Evoking the Incommensurable – Painting the Sublime” will discuss the question of how artists purposefully explored and exploited the limits and capabilities of painting in order to evoke the incommensurable and paint the sublime.
Participation in the conference is possible both on-site or via Zoom. Please register at paintingthesublime@uni-jena.de by 24 July 2022. The conference will be held in a hybrid format. Please let us know if you would like to attend in person or via Zoom.
Conference programme
Wednesday, 26 July
13:00
Arrival and Registration
13:30
Welcome and Introduction
PANEL 1
Chair: Johannes Grave
14:00
Aris Sarafianos (Ioannina) Hard Imitation and the Sublime Real: Art, Exhibitions, Panoramas, Casts and Dis plays at the Far Ends of Visibility, c. 1800
15:00
Coffee Break
15:30
Elisabeth Ansel (Jena)
“Most magnificent and sublime”: Ossian, Blindness, and the Sublime in the Visual Arts
16:30
Hélène Ibata (Strasbourg)
Temporal Vertigo and the Historical Sublime in Turner’s Venice Paintings
17:30
Coffee Break
18:00
Keynote Lecture
Robert Doran (Rochester)
“Moving us to Pity”: Visual Art and Sublimity in Burke, Du Bos, and Kant
20:00
Conference Dinner
Thursday, 27 July
9:15
Welcome
PANEL 2
Chair: Mira Claire Zadrozny
9:30
Yvon Le Scanff (Paris)
Victor Hugo, “Bringing out the sublime”
10:30
Coffee Break
11:00
Caroline van Eck (Cambridge)
The Animal Sublime circa 1800
12:00
Sarah Gould (Paris)
Mary Somerville’s Scientific Sublime: Picturing the Immaterial
13:00
Lunch Break
PANEL 3
Chair: Britta Hochkirchen
14:30
Laure Cahen-Maurel (Bonn)
Viewing Beyond the Visible: The Power of the Imagination from the Kantian to the Romantic Sublime
Coffee Break
16:00
Mark Cheetham (Toronto)
The Incommensurability of Arctic Sublimity: Environmental Stereotypes and the Specificity of the Sublime
17:00
Craig Hanson (Grand Rapids)
Before & After: Temporal Strategies for Effecting the Sublime
19:30
Reception at “Schillers Gartenhaus”
Friday, 28 July
9:15 Welcome
PANEL 4
Chair: Arno Schubbach
9:30
Marie-Louise Monrad Møller (Leipzig)
Pauelsen, Dahl, Lundbye – Aspects of the Sublime in Scandinavian Landscape Painting
10:30
Adèle Akamatsu (Paris)
Fjords, Waterfalls and High Mountains: Painting the “rough” and “grand” Landscapes of Norway from Germany (1820s – 1860s)
11:00
Coffee Break
12:00
Nikita Mathias (Oslo)
Painting the Sublime Beyond Painting. From the Easel to the Cinema
13:00
Concluding Discussion
14:00
End of Conference
See the conference programme here PDFpdf, 1 mb
Location:
Rosensäle, Kleiner Sitzungssaal
Universität Jena
Fürstengraben 27
07743 Jena
(Unfortunately, the access to the conference location is not barrier-free.)
Organisers:
Johannes Grave
Sonja Scherbaum
Arno Schubbach
Contact: paintingthesublime@uni-jena.de
Funded by the German Research Foundation (Deutsche Forschungsgemeinschaft, DFG)